THE ROMANTICS BIOGRAPHY
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What follows is the story of a bunch of hard working street kids from the East side of Detroit who became one of the most influential and memorable bands emanating from one of music's most important periods.... Formed on Valentine's Day, 1977, Wally Palmar, Jimmy Marinos, Mike Skill and Rich Cole -- the original Romantics -- were tough kids escaping hard work, probably in machine shops or factories, but they weren't punks. They were a response to the nihilism of the U.K. punks.
And The Romantics were simple; the best of their music was a joyful affirmation, epitomized by the chanted "Hey!...uh-huh!" intro to the remarkable "That's What I Like About You," a song that still exists precisely in the moment, without before or after.
While it is true that they took much of their simple thunder from the British Invasion, the band's primary influence was the high energy excitement of the late 60s Detroit scene. The MC5, the Stooges, The Underdogs, The Rationals, SRC, The Up. . . The Romantics took the essence of this scene -- sincerity, irony, spontaneity, volume -- and translated it to suit their own modern experience. Their image was innate; they naturally favored short hair and shorter songs and happened on the infamous red leather suits by chance.
After releasing a single consisting of the first two songs they had written - ''Little White Lies" and "I Can't Tell You Anything" -- The Romantics traveled east to build a club audience. Bomp Records' Greg Shaw sees them in Toronto and funds an EP. The EP includes "Tell It To Carrie," something of a stylistic matrix for The Romantics' music to come.
The late 70s U.K. punk movement is diluted and misunderstood in America, and The Romantics are, like it or not, labeled "New Wave, " a term for the more palatable selling of punk. The Romantics consider themselves well removed from the Sex Pistols' negativity. They don't want rock to go away; they want, as Skill tells a reporter in 1979: "to still have fun with three chords."
After signing with Nemperor Records in 1979, The Romantics released their debut LP, recorded in three weeks. Anchored by "That's What I Like About You," "When I Look In Your Eyes" and a cover of Ray Davies' "She's Got Everything," The album is an exemplary pop-rock period piece. Distilling the frantic melodies of the Dave Clark Five and the exigency of the punks, The Romantics evokes a youthful portrait, haunting in its innocence, a direct contrast to the tough world they know in Detroit.
A follow-up, National Breakout, was released in 1980, followed by tours of Europe and Australia. More influences -- surf music, Motown -- were evidenced, yet the sound was increasingly unique. "Tomboy," "21 and Over" and "Stone Pony" lived up to the post-punk battle cry of "Two minutes or bust." The Bomp material was included on a compilation titled Midwest Pop Explosion (Quark 1980), but by the time of 1981's Strictly Personal, lead guitarist Skill departs and is replaced by current guitarist Coz Canler.
The band reaches its commercial peak in 1983-1984 with In Heat, a platinum album bearing two top ten singles: "Talking In Your Sleep" and "One In A Million." This should have been the big payoff, but drummer Marinos departs instead as "success" creates division and confrontation between management and the band.
The Romantics, with Dave Petratos on Drums, released Rhythm Romance in 1985. Other than the 1990 greatest hits compilation, "What I Like About You" (and Other Romantic Hits), Rhythm Romance is the last record The Romantics cut for Epic/Nemperor.
In 1987, The Romantics endure an inordinate amount of adversity. The acrimonious fall-out and lawsuit with their former managers slowed royalty payments and prevented the band from focusing on recording and touring. In late 1990, the Romantics added former Blondie drummer Clem Burke to the lineup, and in 1994 they released a European EP titled Made In Detroit for Westbound Records, containing fellow Detroiter George Clintons' Funkadelic songs along with three originals. Later that year, The Romantics received an award for Outstanding Pop/Rock Recording Artists from the Motor City Music Awards.
In 1992, when Clem had other obligations, The Romantics enlisted legendary Detroit drummer Johnny "Bee" Badanjek to perform with them at Rob Tyner's (MC5) Memorial Service, and he continues to perform and record with The Romantics in additon to Clem.
In 1995, The Romantics settled their 7 year old lawsuit against their former management and regained control of their publishing rights and music catalog. In 1996 Jimmy Marinos, the original drummer, rejoined the Romantics to tour and work on recording projects until leaving the group in 1997. 1998 and 1999 brought more touring and recording, and in 1999 The Romantics were presented with the Distinguished Achievement Award at the Detroit Music Awards.
This fall the foursome returns with "61/49,"its most rock solid offering in years. Named for the storied crossroads near Clarksdale, Mississippi where bluesman Robert Johnson made his pact with the devil, "61/49" is intended as a tip of the hat to the roots of rock 'n' roll and the nucleus of the Romantics' fervent pop.
"61/49" features members Wally Palmar, Mike Skill, Coz Canler and their current drummer Clem Burke (a founding member of Blondie and now a permanent member of the Romantics). They are joined by their original drummer, Jimmy Marinos, as well as Detroit Wheels drummer and Motor City legend Johnny "Bee" Badanjek with a supporting cast that includes keyboardists Eddie Hawrysch (Black Crowes) and Luis Resto, among others.
Mixed and Engineered by local heavyweights Steve King (Eminem) and Al Sutton (Kid Rock), "61/49" exemplifies the hook-laden, explosive pop that has made the Romantics among the most memorable rock purveyors of all time. The album's opening track, "Devil in Me," exudes the sexy swagger that is the hallmark of the band's sound while its first single, "Out of My Mind (Into My Head)" showcases Palmar's ruggedly charismatic voice and flare for melody.
As always, the Romantics pay their respects to those who laid out the blueprint with a few choice covers, in this case, Brit-poppers the Pretty Things "Midnight to Six Man" and the Kinks "I Need You". But it's the original material on "61/49" that will knock out old and new fans alike. The boys are back, and they aren't fooling around.
As they are want to do, record companies are currently scouring the globe for mop-headed cuties that can peddle the new "garage." Fact is, REAL rock 'n' roll can't be bought and sold like an off-the-rack imitation. REAL rock 'n' roll is a tangible manifestation of heart, soul and commitment. The Romantics are as real as it gets.